Kendra Kiser. Photographed by Hannah Ours.
KENDRA KISER
she/her
Before I became a photographer, my first love was writing stories. Growing up, I wrote little books for my younger siblings as they were learning how to read. Like many writers, my google doc storage is filled with first drafts of novels and the space beneath my bed houses stacks upon stacks of journals scribbled with poems, prayers and diary entries.
Before I became a photographer, my first love was writing stories. Growing up, I wrote little books for my younger siblings as they were learning how to read. Like many writers, my google doc storage is filled with first drafts of novels and the space beneath my bed houses stacks upon stacks of journals scribbled with poems, prayers and diary entries.
seeking a publisher
I am actively looking for a publisher (preferably local) to publish my debut poetry book. This finished book is titled “The Divorce of Love & Fear” and explores themes of unraveling toxic beliefs around religion, marriage, and early beliefs of love. I am currently writing another collection of poetry and stories about my childhood on the paradox of growing up extremely sheltered yet finding myself constantly unsettled.
seeking freelance writing work
Additionally, I am actively seeking freelance work to write on topics about the arts and creative scene in Louisville, activism projects with nonprofits that support the environment, local businesses, or marginalized communities. I am most drawn to subjects that have depth, meaning or focus on emotional resilience.
Photojournalism for Non-Profits, and Public Interest ProjectS
Working with nonprofits is a passion of mine because I believe even the smallest shifts can be impactful.
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Homesick
*One line taken from an old newspaper article: “lichened, castle-like crags?” This was written by Harry M. Caudill about Wendell Berry and Red River Gorge. I felt that my own description of a place dear to me was missing a couple words, and was glad to find Caudill’s to add to it. Photo of newspaper article to the side.
Will the electric modern muddle with my sacred ordinary mundane?
A palace built extravagant by the Moors: I climb up their steps,
thinking I’d rather they were yours, framed by green oaks and cicadas
You’re there to greet me, to see me at the door
To think!
The place that greeted me most warm
Was the place most like you: old forest, trees with outstretched arms, but it lacked the Kentucky dew
Where are your sandstone copper-coated arches? Your moss-laden mountain-laureled edges, your lichened castle-like crags? *
I am ordering a sourdough loaf, freshly made by an Alfama bakery, voted one of Lisbon’s best
As I bite into the tangy-soft bread, I am wishing it were yours – have I chosen strangers hands over a sister’s?
In my stupor, I am weaving down cobblestone streets and through the mazes of my mind, longing to see the same faces, to return to the same cafe daily: As if 10 years of patient-constructed community could be rebuilt in 10 days
As if!
I can travel far-off to carry a passport of memories: it would still be closer than these old lamenting dreams
To hold your fingers fast in mine
How I long to hear your footsteps putter on my floor! To bust into my room, to interrupt blissful sleep, to scream in my ear!
The Portuguese wailing mist is tempting – how I wish it was your wails instead
I am in bed, I hear a baby through the 5th hostel floor
There is a mother calming, hushing-shushing
Then she is on the plane while her child cries and she is pleading for understanding,
begging for forgiveness with her eyes
She does not have to ask, I wish to beg of her instead:
How do I trade my noise-cancelling headphones, my vintage pants and two hundred dollar shoes with my four hours of free time to leisurely watch airplane shows,
In all sincerity!
How do I trade you, ma’am?
If I offered her all the riches, and blissful sleep in king-sized beds, and wistful freedoms of the world,
The independence to go where she wanted to, I’m afraid her answer would still be a resounding no
I have been home for some time now.
The leaves are almost bare. The grey Kentucky cold starts to ache and it settles in my bones.
I am no longer four thousand miles away, I could be there, in ten minutes, or less. But it’s as if
an avoidant abrupt rushness replaced the soft intimate delicacy in our ordinary mundane moments, and as if you thought those Portuguese whispers were tempting.
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